New York's meatpacking district on a
weekday morning is no time or place
to fall in love. It's a district of blood
and machinery, of big, gruff men and
dead animals. But into this scene walks
30-year-old Jody Storch, with her gold
earrings and frosted hair, her fuzzy
winter boots and her deep Brooklyn
accent. And the roughnecks part before
her, shuffling their feet and murmuring
hellos, because they know they are in
the presence of royalty, that Storch is
the scion of Brooklyn's Peter Luger
Steak House empire. And although she
jokes and teases, she's there on business--namely, picking out huge hunks
of meat to bring back to a restaurant
that routinely trumps Manhattan's
finest French eateries in the Zagat Survey and where Johnny Carson once
famously proclaimed to have had the
best meal of his life.
Storch pulls on a white butcher's coat
so as not to get "all schmutzed up." In
her right hand, she carries a metal stamp
bearing her personal logo: two F's and a
circled ~. The stamp used to belong to
Storch's grandmother, Marsha Forman.
When Jody's grandfather, Sol Forman,
purchased the now 114-year-old Brooklyn steak house in 1950, he sent Marsha
to apprentice with a retired USDA meat
grader to learn what to look for in a side
of beef. Marsha passed the knowledge
down to her daughters, Amy and Marilyn, Storch's mother, and eight years ago
Storch took the reins. This morning's
stop is one of several she makes twice a
week, with her mother and aunt performing the duty on two other days. In
all, the Forman women buy some ten
tons of beef a week.
Since the only cut of steak Peter Luger
serves is porterhouse (a portion that
comprises the sirloin and the tenderloin), we're looking solely at "hinds," or
the steers' backquarters. Specifically,
we're inspecting the part of the hind that
contains the short loin. (Storch pays
nearly $300 for a short loin, enough to
serve a dozen people.) With the market's manager tailing her, she makes her
way down the rows of carcasses hanging
on hooks, casting a critical eye and
rejecting hinds. The meat on this one is
too dark; it should be rosy pink. This
one doesn't have a silky texture. This
one's "bloodshot," meaning the meat
contains tiny, dark purple dots of blood
that reveal the steer panicked before
slaughter. Above all, she's looking for
meat that is intensely marbled with
flecks of fat. "In our business, fat is
king," she says. My heart somersaults.
Finally, the perfect hind. The flesh is
ruby and speckled with fat, like a piece
of soprassata. Storch runs her hands along
the bone, checking for disqualifying
breaks. "Gorgeous," she coos, and
whacks the beef with her stamp. "Any
more questions?" Storch asks mc. Several leap to mind, but I know that
Storch is happily married and even has
what may be Luger's next-generation
eagle eye in her 9-month-old daughter,
Marley. So I ask whether women are
better at spotting good meat than men
are. Storch smiles slyly "of course," she
says.
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